http://actionlaced.livejournal.com/ ([identity profile] actionlaced.livejournal.com) wrote in [community profile] uisgeannan2011-08-07 03:33 pm

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((Continuing from this!))

[It was a good thing Robin was gone when Euri finally woke up. She had been cranky and hungover and once she remembered what had happened last night she was mortified. Not because they had shamelessly made, or because they nearly had sex, but because she had told him she was a virgin, and on top of that she had even let him into her room without bothering to hide all the witchy objects she owned.

She tried to focus on the latter as she ate breakfast in her room and nursed her hangover because, frankly, thinking about the teasing and comments and gossip from the former didn't seem nearly as bad as the reaction she was bound to get from the other castle residents about being a witch.

She pondered confronting Robin, but the mere thought was far too embarrassing. Besides, there was another memory stuck in her head from the previous night that refused to go away, and it was making her curious.

He had seen her room, but she remembered her inquiry into his own hadn't netted any results. Now that Euri was sober, "barely touched it" sounded like an obvious lie. That was why she eventually found her way to his floor, and to his room.

She was pretty sure Robin was out for the moment, and she had summoned Dog and ordered him to go have father-son bonding time with Nirel. So it was just her, a door, and whatever lay on the other side.

With a hardened expression she concentrated on the doorknob, letting it catch fire and heat up to the point where any and all locks would be rendered useless. She was just going to take a quick peek, nothing more, and then go back and stew over what he was undoubtedly telling the other residents.

When the doorknob cooled enough she used her scarf to open the door, and slipped inside.]

[identity profile] birdmetaphor.livejournal.com 2011-08-08 02:30 am (UTC)(link)
[there's a lot to look at, and there's more of it the closer you get to the floor. he doesn't often reach up very high unless it seems like he's running out of room, and then his thoughts are logical and orderly. down below, sometimes his snippets of sentences overlap each other.

"who would care ? no one would know " "--were supposed to have a child. We all heard about it. Is it a spirit too?" "where everything is disconnected" "HATE HATE HATE HATE HIM I HATE HIM I HATE HATE HIM I" "They're saying there's no way back." "Vincent says I shouldn't drink Vincent says I shouldn't smoke Vincent says a lot of things but Vincent isn't here and I miss--" "I'm so tired." "monday morning Robin Red felt a knock upon his head the doctors all pronounced him dead but he is merely sleeping".]

[identity profile] birdmetaphor.livejournal.com 2011-08-08 03:26 am (UTC)(link)
[oops. here's where all the blood went.

not much else is good for writing on the white tile walls of this bathroom. the walls and the floor are actually kept very clean. no grunge or mold building up at the edges, no lines of grime in the shower. there are some boxes of hair dye, some bottles of shampoo and conditioner and soap. some washcloths and towels, kept bizarrely clean and folded just like his clothes out front. there's a cabinet full of the usual things you would find. scissors, nail clippers, some light pain killers, bandages. there's a first-aid kit, but it's never been opened.

that's where the normality stops. there are little snippets of hair on the ground where he must not have cleaned them up. there are some drops of black on the floor around the sink... dye, probably, since it's also in the sink proper, not quite washed down the drain. there's a crow's feather on the ground for some reason. there's a thin trail of blood that starts from the sink and leads down with a small splatter onto the floor, then drags back out the way she'd come.

that's all probably second-sight because of the rest of the blood, though. hand prints on the wall, smudged fingerprints here and there. it's mostly light, but prominent against the white. and the writing is much shorter in here. "stop it" "it hurts" "disgusting" "alone" "nothing" "you are sick" "you are sick you are sick you are sick you are sick you are sick you are sick you are sick" "shut up".

a tabby cat suddenly brushes against her ankle.]

[identity profile] birdmetaphor.livejournal.com 2011-08-08 04:05 am (UTC)(link)
[the cat's purring very quietly and doesn't seem to mind at all that he's been picked up. when she reaches the bed, however, he starts to wiggle around until he can climb out of her arms and land on the bed. from there it's a quick hop onto the floor before it scurries away under the bed.

much like the table area's writing was more organized, the bed's is probably the messiest. most of the writing is very small, very thick around nearer to the bed. the scratch marks on the ceiling are deep and vary in angle, but there are more shallow ones here and there in the nearby walls as well. they're very clean, very precise. half-hidden behind his pillow is an unfinished picture being carved into the wall with that same method--it looks like a picture of some people all standing in a line. there are nine of them, but one of them has two heads.

above it is written in ink, "This place brings people back from the dead." it looks like he tried to write more, but it's smudged off several times. then, carved deeply and forcefully underneath it, "one must learn not to cry for the living. one must learn not to live for the dead." the rest is written over and over again, "go to sleep. go to sleep. go to sleep. go to sleep." "can't sleep can't sleep". "go away". "go to sleep." the cat is dragging something out from under the bed, tail flicking a little back and forth.

it's a dead crow.

it doesn't smell, it's not rotting. it's probably only been dead for a day, if less. it's feathers are all disheveled and some are missing, probably thanks to the cat (who is sitting next to it expectantly). it's neck is twisted--broken. the cat definitely didn't do that.

the song ends.]

[identity profile] birdmetaphor.livejournal.com 2011-08-08 04:27 am (UTC)(link)
[the cat gives a small mewl up at her when she's quiet for too long. he's about to jump up onto the bed when he suddenly turns his head, ears shifting. a pause... and then he scurries under the bed again.

Robin opens the door.

no, no, no. people aren't supposed to be in here. he looks shocked as he turns, realizing that it's Euri who is in the room with him--sitting on his bed. looking at his things.

and then he sees the bird. livid doesn't even begin to describe the way he looks, his hands bunching into fists as he fixes her with an inhuman glare. his words are tight, sharp. final.]


Put it down.

[identity profile] birdmetaphor.livejournal.com 2011-08-08 04:50 am (UTC)(link)
[goddamn it. he doesn't know how much she's seen. just--just being here is a violation of the only fucking place he's ever been able to keep to himself and she's ruining everything.

he walks over to the bed, stops just past her, and reaches down the the bird. his fingers wrap around it slowly, like it repulses him. only when he's held it for a second (when it's dead weight is actually in his hand) that he lets out a snarl and throws it across the room--it hits the door to the bathroom with a sickening thunk.

he grabs Euri's collar, almost in the same motion, and drags her over to push her up against the wall. unlike the first time they met, he isn't playing. he's holding her up high, a few feet off the ground.]


Just what? [he's speaking through clenched teeth, his volume rising.] What are you doing here?

[identity profile] birdmetaphor.livejournal.com 2011-08-08 05:02 am (UTC)(link)
You shouldn't be in here! No one should--!

[no one should be in here. no one deserves this but him. it's his burden, not hers. it's his power, not hers. his thoughts, his writing, his family. it would take absolutely nothing now for him to throw her against a wall like he did that fucking crow.

his fingers curl against her shirt so hard that the fabric creaks and threatens to rip under the friction. he can't stand to look at her. can't stand the thought that she's still here.

his grip loosens, and he lowers her to the ground.]


Get out.
Edited 2011-08-08 05:02 (UTC)

[identity profile] birdmetaphor.livejournal.com 2011-08-08 05:12 am (UTC)(link)
[...what.

there is no reason--no sane, logical reason why anyone would stay. he doesn't believe it. she need to leave. she has to leave. or else... he... she'll...

and with that stupid little word she's shattered something in his composure. he doesn't want to be here. he wants her gone. he looks down, anger slipping away into something worse--a fear that's welling up in his chest.]


Get out! [he shouts it this time, trying to fight his own rising panic.]

[identity profile] birdmetaphor.livejournal.com 2011-08-08 05:33 am (UTC)(link)
It's not yours! It's none of your business!!

[he stumbles backwards, screwing his eyes shut and bringing his hands up, his palms sealing his ears shut while he clutches the sides of his head.]

Get out, get out!! Leave me alone!

[he's breathing hard, shoulders hunched up defensively. Euri hasn't one anything, but he doesn't want to think about this--any of this--that he's trying desperately to keep himself together.]

[identity profile] birdmetaphor.livejournal.com 2011-08-08 05:53 am (UTC)(link)
[he freezes.

she's... worried?

...that doesn't make any sense.

and for a moment, things just... stop. he doesn't breathe, he doesn't move, he's trying to recover those words and give them some kind of understandable meaning. she doesn't belong in here, with him. no one does. but she's worried. why is she still being nice? why hasn't she run away yet? why isn't she scared? why is she still touching him?

he's shaking. he slowly moves his hands, again aware of the silence of his own room. the sound of her breathing, the feel of her heartbeat against his chest. it strikes him as terribly unfair.

he puts his arms around her shoulders and holds her back, hugging her just as tightly. his voice is shaky, but he sounds more drained than angry. more nervous than violent.]


You shouldn't be here. I don't want you to see.

[identity profile] birdmetaphor.livejournal.com 2011-08-08 06:09 am (UTC)(link)
[he just buries his face against her shoulder. this is too embarrassing, too private. here's got no defense here. all his manipulations and lies and careful planning are pointless. this is the only place he can truly be himself, and this stupid girl has wormed her way into the middle of it.]

No. [he insists, weaker than last time.] I don't want you in here. You'll ruin everything.

[identity profile] birdmetaphor.livejournal.com 2011-08-08 01:43 pm (UTC)(link)
No... No, I don't.

[she doesn't understand. how could she? no one would. that's why he keeps this all locked away. he suddenly pushes her away from him, albeit weakly.]

I don't need anyone. Not here. I don't need you to tell me that I need help or that this isn't normal. I don't need you seeing any of this. No one should have to.

[he looks away from her. around her, towards the floor, above her head--anywhere he can look without having to see her face.]

And no one would ever know if you just kept out. It's fine, I can just lie and this will be kept safe and no one would ever guess, right? You didn't.

You were terrified. You're still scared. [he tries, one more time.] Just go, please. I don't need... anyone.

[identity profile] birdmetaphor.livejournal.com 2011-08-08 09:10 pm (UTC)(link)
[the slap startles him more than anything, and he's still a little wide-eyed and uncomprehending when she forces him to look at her. Vincent was like this (forceful when he was upset) but more than anything, she's starting to remind him of them again...]

Why?

[that's the only thing he can think to ask. he can't keep his eyes on hers. it's too harsh, too open. why would she say that?]